For the rest

For the rest When Oliver improvised, I helped him, accompanying on a piano, played ostinato on bass octaves at the speed chosen by it it needed and often asked about such support.

For the rest transferred an initiative to it until there was a need to stimulate with high notes or a staccato.

Oliver only occasionally imitated that heard, and in this sense it is possible to call its work rather creative.

Duet with D.

A.

Day when Oliver started communicating closely with a piano came and ceased to tap in the same way one finger continuous series of notes up and down.

.



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